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By using dichotomies such as: wet/dry, wild/domestic, raw/refined, fantasy/reality, inside/outside, sacred/profane, threatening/subdued, I want to create works that are complex, unstable, and perplexing; and for those same reasons, very rich.
In the latest body of work, I’ve tried to make tangible my sense that life is complex because it is motivated by the shifting relationships between complimentary and contradictory forces. Depending on how one sees it—and this changes for me constantly—relativity can be extremely liberating and/or terrifying. Because of this, I now deeply believe in the guiding force of intuition."